He turned to filmmaking with a scabrous, controversial adaptation of Edward Albee‘s taboo-shattering play “Who’s Afraid of Virginia Woolf?” (1966). Both would bring him Tonys for directing (the latter was shared with his work on “Luv”), and he would win nine overall: Best Director of a Play for “Plaza Suite” (1968), “The Prisoner of Second Avenue” (1972), “The Real Thing” (1984), and “Death of a Salesman” (2012) Best Director of a Musical for “Spamalot” (2005) Best Play for “The Real Thing ” and Best Musical for “Annie” (1977). Nichols began his directing career on Broadway, gaining fame for his productions of such Neil Simon classics as “Barefoot in the Park” (1964) and “The Odd Couple” (1965). Their partnership ended just a year later, though they would collaborate several times thereafter, including on “The Birdcage” (1996) and “Primary Colors” (1998). In 1960, the two opened the Broadway show “An Evening with Mike Nichols and Elaine May,” winning a Grammy in 1962 for the LP version. His extraordinary life is the subject of a biography by Mark Harris, appropriately titled “Mike Nichols: A Life.” Let’s take a look back at all 18 of his movies, ranked worst to best.īorn in 1931 in Berlin, Germany, Nichols got his start as one half of the comedic improvisational act Nichols and May, working alongside Elaine May. One of the few people to complete the EGOT (Emmy, Grammy, Oscar, and Tony wins), acclaimed director Mike Nichols excelled in film, television and theater until his death in 2014.
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